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Published On: 3/19/2008
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Vaughn Whynot's Blog: Camera Tips - Camera Handle
By: Mr.Whynot


"from the site HDskate.com articles Make Your Own Video Camera Handle"

Make Your Own Video Camera Handle

Alright so you want a better way to film lines and all around, make your filming smoother. The answer is a tripod mount handle. Your end result will look like this.

Camera with finished handle

Your best bet is to start working on a clean, level surface. Try not to use the best table in the house, unless no one is going to care. It’s probably better to work on something fairly high off the ground, seeing as I always work on the floor and cause myself uneeded back pain.

To get started, here’s everything you need and it can all be found at your local hardware store. Luckily I found everything in my basement.

  • One peice of metal, 1 inch wide, 1/8th to 1/4 inch thick and about 20 inches long. More for larger cameras. Less for smaller cameras. Around 20 is average.
  • One quarter inch bolt to screw the handle into the tripod mount hole.
  • One wingnut to screw upside down into the screw to secure it to a camera.
  • A washer or two .

Materials

Materials

The next step is to drill the hole in the piece of metal. To do this turn your camera upside down and grab a tape measure. Measure the distance from the tripod hole to the front of the camera. That’s how far away from the start of your handle your hole should be. Make a mark there with a marker then use a drill to bore a hole through it. A drill press would be much easier if you have accesss to one. On the handle I made here, the hole was already on the piece of metal so I decided to use that and it’s actually fine for the Panasonic GS series cameras.

After you have your hole drilled decide how far along the metal bar you want your bands to be. You should probably have something along the lines of 6 inches for the bottom, 6 inches for the vertical part, and 7 inches for the top, but like I said earlier, if you’re cameras bigger you might wanna make it bigger. You probably won’t have to make it more than 22 inches. Again, using a measure tape and a marker, make marks at the places you wann to bend at.

Measure And Mark

Measure And Mark

Now You want to find something you can use to bend the metal. A couple good choices are:

  • Some heavy weights, about 100 pounds or so. You can wedge the handle under the very bottom one and lift it up at the marked bend location.
  • Vise grip, lock it in so you can just bearly see your markings then pull/push to bend it.
  • A pole, like I did.

Bend The Handle

Bend The Handle

Once You have both the bends done that’s just about it. You might want to paint your handle or put some stickers on it to decorate it. One of the coolest things is to get the infrared remote your camera came with and tape it to the top so you can record without taking your hand off the handle.

Screw the handle on to your tripod mount and you’re done!



Published On: 3/8/2008
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I realize there's been a huge lack of updates on here, so I'm just gonna fill u guys in on whats up. Currently we're in debate on whether or not to scrap the video and start from scratch on the count of this one taking so much longer than expected that much of the footage is getting real old. Maybe we're just bored of it cause we've seen it so many times, who knows? Also I've just recently purchased a Panasonic HVX200, so I'm gonna be filming in HD from now on and the older footage's quality wont really match too well with the new vibe I'm going for if I remake the vid. I'll still be posting clips of the older footage on here, so keep checkin back for that. Hopefully we get some more snow soon so I'll be able to get some footy with my new cam.
 
Peace.
 
Oh yeah, I almost forgot, I'm gonna re-open the site once I get some new shi*t to put on it. I'll keep you posted for when that's gonna be up.


Published On: 11/25/2007
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                                  TARO and KEIJI

 


Heart Films Interview PART 1 

Name: Keiji TAJIMA
Age: 1978 06 06
Occupation: FILMER 


 

Where is your home town and where do you base yourself out of?

TOKYO JAPAN. WINTER - WHISTLER. 

How did you get involved with Heart Films?

I WAS FILMING TADASHI AND TADASHI SAID HE WANTED TO MAKE A DIFFERENT/INTERESTING VIDEO SO I CAME ON BOARD. I WAS FREELANCE FILMING UNTIL THEN...SHOOTING FOR BURTON, WHITE OUT, MAYBEM, ETC...MAINLY SHOOTING TADASHI... 

How did you begin your career as a professional filmer/editor?

I WAS SNOWMOBILING IN WHISTLER TRYING TO BE A PROFESSIONAL SNOWBOARDER. I BECAME FRIENDS WITH TADASHI AND HE SAID WHY DON’T YOU BECOME A FILMER AND I STARTED GOING UP WITH HIM. THIS WAS AT A TURNING POINT IN MY LIFE…I WAS DEBATING IF I SHOULD QUIT TRYING TO BE A PROFESSIONAL SNOWBOARDER SO I GUESS THIS WAS ANOTHER OPPORTUNITY TO STAY IN SNOWBOARDING BUT AT LEAST MAKE A LIVING IN IT. IT WAS ALMOST IN A JOKING WAY BUT IT BECAME SERIOUS AND REAL. TADASHI SAID IF I WANTED TO BECOME A FILMER I CAN STAY LIVING MY LIFE ON THE MOUNTAIN AND STILL BE INVOLVED. NEXT SEASON I STARTED AS A FILMER 100%. THAT WAS WHEN I WAS 26 SO THAT WAS 3 YEARS AGO…AND I HAVEN’T LOOKED BACK. 

What did you think you would be when you were younger? 

I THOUGHT THAT I WOULD BE A BUSINESS MAN. SOMEONE THAT WOULD GO TO AN OFFICE EVERYDAY…LIKE MY DAD. 

Did you ever aspire to be a professional snowboarder/skateboarder? 

YES. I TRIED SINCE THE TIME I GRADUATED HIGH SCHOOL - FOR 7 YEARS! I HAD A SHOP SPONSOR BUT IT NEVER WENT ANY FURTHER THAN THAT. NOW BURTON HELPS ME OUT AS A FILMER AND TADASHI AND YUHO ARE ALWAYS LOOKING OUT FOR ME... 

What was your first photo/video you ever took? 

I TOOK VIDEO WITH MY LOCAL FRIENDS AND MADE A LOCAL VIDEO. I LIKED THAT I CAN FILM SOMETHING AND IT IS A MOMENT THAT LASTS FOREVER. 

What was your most memorial day this season? 

WHEN TADASHI LANDED A 1080 IN THE WHISTLER BACKCOUNTRY...OR WHEN TADASHI GOT SWEPT DOWN THE MOUNTAIN IN AN AVALANCE…

Your worst day this season? 

I DON’T KNOW…MAYBE WHEN MY SLED BURNED AND MELTED ON TOP OF THE MOUNTAIN IN THE BACKCOUNTRY…2 TIMES!!!

 

Your best day this season? 

I PUT MY CAMERA BAG DOWN AND HAD A LONG POWDER RUN WITH EVERYONE IN THE BACKCOUNTRY. WE WERE SCREAMING OUR HEADS OFF. I ALSO HAD AN AWESOME TIME DURING THE HEART FILMS CAMP WHEN WE HAD A BONFIRE AND STAYED AWAKE UNTIL 4 IN THE MORNING… 

Why do you like to film? 

I LIKE FILMING BUT I DON’T KNOW WHY…I LIKE IT WHEN I CAN CAPTURE THE IMAGE ON FILM THAT IS IN MY MIND…I LIKE WHEN THE PEOPLE ENJOY THE FOOTAGE THAT I HAVE TAKEN… 

Do any riders stand out to you? 

TADASHI - OF COURSE! THE WAY HE IS, HIS STYLE - OFF AND ON THE SNOW - THE WAY HE TAKES ACTION, THE WAY HIS MIND IS SET ON SNOWBOARDING AND THE GOALS AND DREAMS HE MAKES INTO REALITY… 

Favorite shooting location/style? 

I LIKE THE BACKCOUNTRY BECAUSE IT IS QUIET AND I FEEL MY HEART THUMPING…I LIKE THE CHALLENGE OF FINDING NEW TERRAIN AND IT IS LIMITLESS OUT THERE…

Gear? 

PANASONIC DVX 100A AND A BOLEX 16MM. 

Sled? 

2007 Ski Doo Summit 800 151.

Do you prefer video or film? 

I LIKE FILM. I LIKE IT BECAUSE IT HAS A SOFTER FEEL. THERE IS A FEEL WITH FILM THAT VIDEO LACKS... 

Truck? 

A BEATER 1987 NISSAN KING CAB 4X4.

What do you do in the off season?

I HELP EDIT THE FILM. I ALSO WORK 12 HOURS A DAY, 6 DAYS A WEEK - DELIVERYING SUSHI SO I CAN SAVE UP FOR THE UPCOMING SEASON...


Where and who would your dream trip consist of?

I WOULD LIKE TO GO TO ALASKA IN THE SUMMER WITH MY NON-SNOWBOARDING FRIENDS SO WE CAN HAVE SOME TIME TO HANG OUT. THE SCENERY IS PROBABLY SUPER SICK AND VERY WILD AND PRISTINE... 

If you were given 1 million dollars today, what would you do tomorrow?

I WOULD CONTINUE EDITING THE FILM AND THINK ABOUT THE MILLION SITTING IN THE BANK… 

Has being a snowboard filmer put you in a life or death situation? 

YES...ALL THE TIME. AVALANCHES, BEATER TRUCKS, LONG TIRING ROAD TRIPS, FALLING OFF CLIFFS, BURNING SLEDS THAT MAY EXPLODE… 

Who are other filmers/photographers that you admire? 

I LIKE THE WORK OF NEIL HARTMAN. HE HAS A GOOD CONFIDENCE TO HIM AND IT SEEMS LIKE HE TRULY LOVES WHAT HE DOES…

Who usually comes up with the ideas for the shoots? 

MOSTLY TADASHI. WE ALL HAVE INPUT BUT TADASHI HAS THE LOUDEST VOICE AND AMBITION… 

Advice to other aspiring filmers?

SHOOT THINGS THAT ARE ENJOYABLE. SOMETHING THAT YOU WOULD LIKE TO SEE. FIND GOOD FRIENDS TO SHOOT. DON'T WORRY TOO MUCH ABOUT THE EQUIPMENT…AS YOU GET BETTER YOU WILL ACQUIRE BETTER EQUIPMENT. ONE STEP AT A TIME. AND IT IS ALL ABOUT THE IDEAS! 

Within Heart Films ? Other than Tadashi, who do you think deserves the best part award. 

EITHER AKIFUMI HIRAOKA OR SHOTA SUZUKI…

Who works the hardest?

TADASHI…ME!!!

Special THANKS?

TADASHI FOR GIVING ME A CHANCE. EVERYONE AT HEART FILMS. MY PARENTS, SIBLINGS, FRIENDS AND MY GIRLFRIEND, SACHI...ALSO SPINY SNOWBOARD SHOP!!!



Heart Films Interview PART 2 - Taro Koeji - FILMER/EDITOR


 

TARO AND KEIJI ON BLACKCOMB...



Name: Taro Koeji
Age: 1972 08 29
Occupation: Filmer/Editor Clothing producer - (Zerosen)


Where is your home town and where do you base yourself out of? 

Sendai Japan. Whistler - winter. 

How did you get involved with Heart Films?

Tadashi and I were talking about it 2 or 3 seasons ago…Last year it finally happened. I have known Tadashi before he became a pro snowboarder…He worked at a rental shop and I worked at a skateboard shop…We knew each other for over 10 years…I was making a different snowboard video so I had other commitments but finally we started it last year. 

How did you begin your career as a professional filmer/editor? 

I made skateboard videos in Japan and I learned how. I used to be a snowboarder and took footage of Tadashi and Jun and I enjoyed it so I started doing snowboard footage as well. I was taking footage for the guys so they can check out their snowboarding and Tadashi was doing crazy things…Things I could not imagine doing...So I started shooting more and more and riding less and less. I learned everything by trail and error.. 

What did you think you would be when you were younger?

A Pro Baseball player and then a pro skateboarder…

Did you ever aspire to be a professional snowboarder/skateboarder? 

Yes. I even rode for Burton back in the day…

What was your first photo/video you ever took? 

Tadashi’s video when we all lived together in Whistler when we were all starting out…

What was your most memorial day this season? 

When Aki almost died in an avalanche…It was the first time that I saw an avalanche right in front of my face…I was always careful in the backcountry but that day was a wake up call. I felt that I needed to be able to ride my sled better and be more conscious of the dangers of the backcountry.Also Aki’s cab 9 was sick! 

Your worst day this season? 

There was a few of those this season…I rolled my sled and the sled ran over my head. THANK god I had my helmet on…My sled was rolling towards Tadashi and Takumi and I thought that they were toast as well as my sled was a right off. At the end, the sled rolled and luckily came to a stop before the next cliff band and everyone was okay…

Your best day this season? 

There are so many of those too…Every time I went out on my sled was a good day! 

Why do you like to film? 

I like that the riders push themselves and do things that I can not do or imagine…I like capturing that. The feeling you get when you capture a good shot feels so good. I like how I get to see the action live…As I capture the image for everyone else to see. I have front row seats…



Do any riders stand out to you? 

Tadashi - of course. He lands everything. His actions are fast. Everything about him is awesome…If you go up to the mountain, you will know Tadashi’s greatness… 

Favorite shooting location/style? 

Whistler backcountry. There is always something to shoot and it is always so much fun to explore. There is no greater place to shoot than the Whistler backcountry…I like street too but the backcountry is so new to me so I am addicted to it. 

Gear? 

Panasonic DVX 100A and NIZO 801 macro and Nikon Super 8. 

Film or video?

I like both video and film. Video is convenient…it makes voice recording easy too…film has a nice feel… Sled? 2004 Ski Doo Summit 800 151.

Truck? 

1995 Chevy K2500 4X4 with a Bulldog double sled ramp.

What do you do in the off season?

There is no off season…I shoot skateboarding and make my clothing line… 

Where and who would your dream trip consist of?

A world wide trip with my friends and wife!

If you were given 1 million dollars today, what would you do tomorrow?

  I would be thinking of how to use it. I would choose my own riders and shoot around the world and go everywhere on helipcopter! 

Has being a snowboard filmer put you in a life or death situation? 

Everytime you go into the backcountry, there is a possibility of death…


Who are other filmers/photographers that you admire?

I like a guy named WADAPP. He is a skateboard photographer out of Japan…I also respect DICE K MARU because he has a lot of good photos…

Who usually comes up with the ideas for the shoots? 

Everyone. 

Advice to other aspiring filmers? 

Do what you love. If you want to be a filmer ? do it. That’s the only way. JUST DO IT.

Within Heart Films - other than Tadashi, who do you think deserves the best part award. 

Akifumi Hiraoka of course…He works hard…You'll see when you see the DVD... 

Who works the hardest?

KEIJI… 

Special THANKS? 

THE HEART CREW - Friends, My wife Hitomi and my family.


Published On: 6/19/2007
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PANASONIC INTRODUCES “SHARE THE AIR” VIDEO CONTEST IN CONJUNCTION WITH SPONSORSHIP OF DEW ACTION SPORTS TOUR


AST_postcard_front.jpg NEW YORK, NY (May 30, 2006) - Panasonic announces the "Share the Air" Video Contest, with an open call for action sports film submissions.

In the spirit of self-expression, creativity and sharing, the Panasonic "Share the Air" Video Contest welcomes participation from amateur filmmakers and industry professionals alike.

Panasonic understands that action sports are much more than tricks and thrills.  They're about creativity, self-expression, pushing yourself and having the time of your life.  That's Panasonic’s definition of "Share the Air."  What's yours? On May 17th, Panasonic challenged filmmakers to show what “Share the Air” means to them in the form of a 24-second action sports film.  Submitted videos will be reviewed and evaluated by Panasonic and renowned

>action sports filmmakers Ty Evans and Aaron Meza. Two Grand Prize Winners will each win a Panasonic HD video package worth over $16,000, including the new state-of-the-art AG-HVX200 High Definition camcorder, and $5,000 cash.  Winning submissions will also be considered for national broadcast as Panasonic television commercials.  In addition, four First Prize Winners will each win a video prize package worth over $1,000.

Submissions will be judged on the following criteria:
 
- Originality
- Creativity
- Expression of the “Share the Air” theme

Select films will be showcased on Panasonic’s Share the Air gallery at www.sharetheair.net/videos . Submissions will be accepted and prizes awarded for two distinct entry periods: May 17th – July 14th 2006 and July 15th – January 15th, 2007. One Grand Prize Winner and two First Prize Winners will be chosen from each entry period to win the following prizes:

Grand Prize Winners will receive:
• Panasonic AG-HVX200 HD video camera
• Two p2 8 GB memory cards
• p2 storage drive
• Panasonic DMC-LX1 digital still camera
• $5,000 hard cash
• Ty Evans signature series Ogio backpack
• Atiba Jefferson signature series Ogio backpack

Two First Prize Winners will receive:
• Panasonic PV-GS500 3CCD digital video camera
• Ty Evans signature series Ogio backpack.


For more info on rules and entry details please go to www.sharetheair.net/videos

About Panasonic:
Panasonic’s advanced technology products are natural accessories for the action sports lifestyle.  Its cameras and camcorders enable action sports enthusiasts to “Share the Air”, by capturing and sharing action sports tricks, culture, and lifestyle with friends.  In this way, Panasonic technology, like action sports itself, is a vehicle for self-expression, creativity, and sharing. 

Panasonic is proud to be a longtime supporter and partner to the action sports community.  With its advanced digital camera and digital camcorder products, Panasonic has long been a trusted brand among action sports filmmakers.  Today, Panasonic is proud to work with both professional filmmakers and amateurs alike, to help capture and share great moments in action sports.  Panasonic is also a founding partner and official supplier of the Dew Action Sports Tour, the first-ever professional season of action sports.  Visit www.sharetheair.net for details.
 
About the Prize:
The AG-HVX200 HD Camera-Recorder Puts a Host of Powerful Features in Your Hands
This handheld DVCPRO HD P2 camera-recorder is designed to meet emerging needs in HD content production. It debuts as Panasonic's first HD video product to use P2, the cutting-edge memory recording device that has the potential to revolutionize the entire production paradigm. The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities. Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing. On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.


Visit http://www.sharetheair.net/tour.asp 

>


Published On: 6/15/2006
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The customers were there all professional photographers who mainly shoot photos of products of major brands like Nikon, Sony, Panasonic and etc. Also they use the studio to shoot models for major magazines too. I was very lucky to help their lighting and process of commercial photography. I also served as an apprenticeship under different type of pro photographers and developed my creativity at the same time. I have been shooting professionally since '94. I started with commercial photography regularly so as snowboarding photography in winter. I lived in Tokyo until '98 but I ended up moving to Whistler and got more myself involved in snowboard photography. The skills I learned from the studio are probably different from school stuff but I still use them fully and very helpful.

Published On: 12/28/2005
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